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My Spanish Rooster

Posted by Anne Born on August 4, 2014
Posted in: Uncategorized. Leave a comment

I spent three weeks living in northwest Spain, volunteering in an office that means a lot to me. I was housed in a beautiful house, cared for by the nicest people, and for the most part, I was left alone. But every morning, the neighborhood rooster woke me up and it forced me to examine how similar – or dissimilar – I am to a rooster.

To begin with, roosters are guys. I like to think of myself as a “guy” but I’m really a girl. I can’t say I identify with chickens and it’s been decades since anyone called me a chick, so I guess I walk away from this detail and keep moving.

Roosters get up early. You know, I like to get up early too because I can be assured that the house will be quiet and I can make my coffee without distractions or company. Once I have my coffee, you can sit and we can talk – but not before, please. I need that water pouring, that filter finding, and that coffee measuring to happen in silence so I can concentrate and not screw it all up. Once that is in place, my day can start.

Roosters strut. They walk around like they own the place. I don’t do that much. I tend to keep my head down – so much so that once when I was hiking in the mountains with my son, he had to remind me to take in the view.

And roosters crow. Now this is where it gets interesting. I’m a city girl – always have been – so I don’t have all that much experience with roosters but they make that noise every morning. And they don’t quit really – lots of roosters crow well into the afternoon. This particular Spanish rooster had an uncanny way of knowing when I was up, fed, dressed, and ready to leave. That’s when it stopped crowing.

So I wonder how it is this smallish bird can go from quiet, listening to the other littler birds chirping in the trees, to full-blown screeching at the incredible decibel levels that I heard every day. How does anyone go from full quiet to air-splitting noise? And is there no way for the rooster to get his message across any other way?

I can’t do that. If it’s quiet, I respect the quiet. If it’s noisy, I long for quiet. I cannot imagine bridging the gap between existing quiet and full-on screeching. I suppose that’s a flaw, that I should pipe up more, keep my head down less, make more noise. But I don’t. I used to. But now I don’t.

So, I envy the rooster. He got up every day before I did and experienced a tiny bit of Spain that I never saw – the pre-rooster dawn. Still, I am happy to have heard him have his say in Spain and now, just to enjoy the traffic noise that wakes me up these days in the Bronx. Once in a while, I will hear some little birds in the trees outside my window and remember that nervy rooster. I doubt he’d remember me.

Just Walking

Posted by Anne Born on July 27, 2014
Posted in: New York. 1 Comment

I am always packed for the Camino.

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It’s been only a week since I came back home from my tour of duty as an Amigo – an English speaking greeter in the office of pilgrims in Santiago de Compostela – and I am already looking at airfares and deciding what I still need to buy. How is it that a kid from the Midwest could become so taken with the medieval pilgrimage to the Cathedral in Santiago de Compostela?

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The pilgrimage goes back over a thousand years, but I only learned about it in college, in my Romanesque Sculpture class at the University of Michigan. I studied with a woman who was, at the time, emerging as one of the brightest lights in art history scholarship. She spent her career exploring the intricacies of one Romanesque cloister in southern France along with several other key topics, not the least of which is the identification of the “Seat of Wisdom” depiction of Mary with a seated Christ on her lap. She was inspirational and she taught us that there was this road that had been traveled since the time of Charlemagne, pulling artists and poets and musicians to walk across France and Spain with the sole object of paying their respects at the church in northwestern Spain which holds the remains of the apostle James.

It took me a while to get there, decades actually. First, I didn’t have the money. Transatlantic travel is still not cheap. Then, I didn’t have the time, what with a job and then children, family responsibilities and all. And I kept saying to myself that I didn’t really want to go walking in Spain by myself either. So months went by, years went by, and I never got there. It was there. I wasn’t.

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In 2010, I read about the celebrations of the Holy Year. That is the calendar year when June 25, the Feast of Saint James, falls on a Sunday. James is also the patron saint of Spain, so this is a really big event. The year begins by opening the Holy Door of the Cathedral, La Puerta Santa. It’s a special door that opens only during that year and is closed again on New Year’s Eve. Anyone who wishes to use this special entrance to the Cathedral can do so by simply waiting in line outside, and I knew if I missed it, I would have to wait until the next Holy Year – 2021.

I decided this was my moment. I made the leap by buying a plane ticket and putting in for my vacation. I had little real walking preparation and I decided I could in fact walk by myself so I booked my trip over Christmas and I walked. I even managed to squeak through the door about an hour and a half before it closed. I watched the fireworks through the skylight in my hotel room, just up the block from the Cathedral. It was extraordinary.

Two years later, I walked again with my daughters. We spent Christmas Eve up in the mountains, eating paella and listening to American Christmas carols on a laptop plugged in near the kitchen of the hostel where we stayed. When we got up the next morning, the man who ran the hostel took me outside to show me we had a white Christmas, just like in the song, and we walked all day surrounded by snow.

Everyone talks about how walking the Camino changed their life, but I don’t think that’s a fair assessment of how it has affected me. Rather, it is the amplification of my life, the display of my life. I have been able to speak with dozens of pilgrims and people who want to become pilgrims and I tell them stories and give them tips about what to bring, what to leave at home, but in the end, this road is best traveled alone. Even when you go with other people, as I have, it’s best to do it for yourself.

I met a wonderful man while I was working in the pilgrims office who told me he had made the journey several times, once walking to Santiago de Compostela – in northwest Spain, remember – from Jerusalem, stopping first in Rome. When I told him that was incredible, he shook his head and said, “No, it’s just walking,” as if that were the simplest thing in the world to do.

In the end, he was right. One foot in front of the other, over and over again. It’s less about training and all about motivation.

Sanctuary

Posted by Anne Born on June 8, 2014
Posted in: Churches and Cemeteries, New York. Tagged: churches and sanctuary. 3 Comments

 

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I’ve been looking for a place. I need a place where I can sit when I need to shut out whatever is chasing me. So I have started interviewing churches to see if any one of these lovely buildings has what I am looking for. It’s a longshot because I am not really sure what I am looking for, but I thought maybe I would line up the things that appeal to me in churches to see what my place looks like, at least.

That’s a start.

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These were taken at Blessed Sacrament Church on the Upper West Side of Manhattan. It’s a 1920’s jewel box of a church, designed by an architect with a degree from Columbia University, who fashioned the upper gallery after La Sainte Chapelle in Paris.

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Like the very best Gothic churches, this one soars. You sit on that wonderful warm wood and you can’t help but look up and that lightens me.

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This historic Michigan church is where I was baptized, where I made my First Communion, where I was confirmed – it will always be sanctuary. But the difference here is that I am surrounded by ghosts in this church. I find it hard to concentrate because I look up to the gallery and remember singing in the choir, or I look at the statue of Mary wearing the May flower crown and a handful of grade school May processions surround me.

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The parish itself goes back to the first French missionaries who came to convert the Pottawattamie and Miami tribes in this area of the north central Midwest.

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Sometimes it’s just a detail that provides me with the calm or the solitude or the cover I need. This stunning staircase is one of a pair in St. Paul’s Chapel at Columbia. The tiles are by the Guastavino tile factory which provided a clever medieval solution to decorating with brick.

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And sometimes it’s the fabulous stained glass that lends the feeling of calm, of comfort, of mercy when I need it, like here at the Church of St. Thomas More on the Upper East Side.

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We are so fortunate in New York to have such a vast variety of holy spaces – even when they are under construction, you can find sometimes, just what you are looking for. Even if you can’t put your finger on it. St. Patrick’s Cathedral is in the middle of a very serious renovation, both inside and out.

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Another jewel box is this very solemn, very serious St. Vincent Ferrer, just south of Hunter College. This is one of the few places where I focus on a particular thing when come in and sit down, when I want to slow down and get into better focus – it’s that wonderful reredos, the wood screen in the back of the altar.

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Some New York churches are very large, like St. Bartholomew on Park Avenue. It is remarkably consoling, extending a very gracious welcome to me every time I go there. This photo was taken on Holy Saturday when I just needed to drop out of sight for 10 minutes.

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The banners, the stone and wood floors, the system of arched openings, and the glass backdrop make this a place to examine at some length. I am fascinated by the interplay of surfaces and the way they feel when you touch them – the stone is cold, the wood warmer, and the smell of the thin paper and ink in the prayer books make for a more sensory experience here. That’s the thing about the fancy places – they have so many different materials and important items that taking the inventory can be more distracting than anything.

And then, there is that one place that sets the bar for every other place.  For me, it is a cathedral in Spain that I would visit every day if I could. I step in and can feel its history. St. Francis of Assisi came here and left his walking staff. It’s part of one of the columns up front. And the remains of the Apostle James are housed here in the crypt. It is the focus of over a thousand years of pilgrimage across northern Spain to the city of Santiago de Compostela where I attended a Mass in the evening where I saw the woman with the white mantilla.

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But since I am describing churches, I feel obligated to identify my favorite. I come back to this church whenever I am in Paris and it’s always the same. I walk in and up the side, with tourists and visitors from all over the world and I feel like it’s my church and they are just looking. I get this place. And I think it gets me.

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The rumor is that if you are a political refugee or criminal, you can run into a church and claim sanctuary so the long arm of the law – if it finds you at all – will find you just out of reach. You can’t leave, of course, but you can’t be taken either. I think that’s comforting.

I keep that in the back of my mind. If I am on the lam, I will look for a church. One with a nice bathroom and air conditioning in July and August. In the meanwhile, even though I can’t really say what it is I am looking for, I am finding it in these beautiful spaces.

 

Don’t Even Think of Parking Here!

Posted by Anne Born on June 5, 2014
Posted in: New York. Leave a comment

Parking is at a real serious premium in this stretch of Queens where I am working now.  It’s only two stops out of Manhattan, but the neighborhood relies on real life commerce, not pedestrian traffic and strollers.  You see one loading dock after another, with vans, trucks, piles of pallets, boxes, skids. You cannot park here because when you do, nobody can take deliveries or load up trucks and vans.  Commerce stalls, the economy suffers, the loading dock guys all take cigarette breaks, and time is money – get it?

So, this is a view of how the words, “No Parking” are communicated such that no parking is the take-home, no parking is the end result.  I paint the sign and all you have to do is not park in front of it, get it?  Nah, not so simple.
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This is particularly wonderful.  Just sound it out, take a stab at it.  Don’t stop to look it up or see what everyone else has on their door.  And it works nearly every day.  It says, “Drywey,” and most days, nobody parks there.

Or this:

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And no, you just can’t make this up.  It really says, “ANITIME.”  And it’s new.  That’s fresh paint.  It went up yesterday.  I wondered if maybe it was addressing a French chanteuse named Anitime and she alone was admonished not to park here.  Hey, it could happen!

Except it doesn’t work.

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That first shot was a close up.  The sign – as clearly spelled out as it is – doesn’t work.  What a colossal bummer.

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They must have used a whole spray can to get this much verbiage on two doors.  And yes – they spell it wrong twice.  The photo would lead you to believe the “active driveway” addition to Sign Number Two actually had some effect, but cars park here too.

Here’s the thing: nothing gets past these guys.  They really get how to do this.  They get that everyone has signs posted so nobody parks in their spot.  But once these guys open for business, and open is the operative here, you can’t read the signs no matter what they say.  When this business is in business, both doors are open and then cars park there.  They did write “No Parking” on the sidwalk too, just in case you are walking by and wonder if this is a good place to park your car.

So where is the one spot with the best luck NOT having cars park in their loading zone?  This guy got graffitied a while back and decided to give it up and nobody parks here.

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Go figure.


Photos by me, of course!

Scheherazade at the 9/11 Museum in New York

Posted by Anne Born on May 17, 2014
Posted in: New York. Tagged: 9/11_Museum, new_york. 2 Comments

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The new 9/11 Museum is open now in lower Manhattan.  Previews of the museum were offered to 9/11 families and to the workers who spent so many months recovering the remains and clearing the site. I was fortunate to be able to attend as a guest of one of the 9/11 families.  My friend and I had agreed in advance that we would just do this somehow, get through it, and focus on getting a nice lunch afterward.

While I was waiting to meet her, I walked around a handful of the neighboring streets adjacent to the memorial and this new museum.  It’s funny – she and I both got a little lost getting there.  I never had to know where the World Trade Center was before, because I could always look up.  I never looked for streets or coordinates the way you do in every other part of the city, I would just look up.  Remarkably, the new Freedom Tower was topped in mist and fog yesterday so looking up, even if that building were something I would look for, was futile.  There was nothing visible up past the first couple dozen storeys.

You enter the museum and go down.  There is a coffee and snack bar and a conference room just up a flight of stairs, but everything else is below ground where you can view the slurry wall that held back the Hudson River, preventing all of lower Manhattan from going under water.  And there are exhibits specific to each of the towers, along with photos of each of the nearly 3000 people who died.

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The twisted beams and steel supports that were pulled out of the pile are displayed as if they were objets d’art, something better suited to a contemporary art museum.  One of the fire trucks that was destroyed is there in a large room that also has the remains of the communication towers that supported the antennas.  That’s one of the things I remember from September 11 – those antennas were integral in most cellphone communication in 2001.  It’s why telephone calls, in the first few hours of the event, were so difficult.

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What struck me, beyond the enormity of the exhibits and the massive amount of painful and painstaking work that went into creating this place, was one small room where they played music.  In other rooms, there were recordings of news broadcasts, tapes of the voicemail messages that were left by the people in the towers, and I heard Amazing Grace playing off in the distance when I was about to leave.

But for just this one room, just for a small exhibit, nothing struck me like the recording of a Rimsky-Korsakov excerpt from Scheherazade.  How terribly perfect it was.  While the photos, the objects, and the collected debris were all so very important, nothing is more important than telling the story.  That’s Scheherazade – she lived because her stories held the king in thrall.  She was the iconic storyteller, the one whose very existence relied on her ability to tell a story.  I was so moved by the selection of that particular piece of music in that tiny room in that vast and sorrowful place that I can’t even remember now what it was accompanying, what part of the story that room was trying to tell.

But that’s what I came away with:  the story of 9/11 is how bold and visionary New Yorkers built two tall, arrogant, spectacular, landmark buildings and how a small group of envious, hateful men thought they could bring down those buildings and bring down America at the same time.

And how wrong those men were.

While we might have been thrown off balance and it might have taken us months to mourn the dead and grieve our loss, we’re not down.  The Freedom Tower is up, the new transportation hub is nearly ready, and there is so much for us to be thankful for.  The twin memorial fountains are lovely with the sound of fresh water running over stone.  It’s a gentle place to remember both the people who died and the day that took them from us.

This story is still being written.  We will keep telling this 9/11 story, we will tell stories of the courage and the heroism, the lives lost, and how everything changed that one frightfully beautiful day in September, when the clear blue sky was suddenly filled with the smoke from a terrible fire.

We are all storytellers now and it’s what keeps us alive.  Just like Scheherazade.


 

Photos by me!

Chives

Posted by Anne Born on May 4, 2014
Posted in: New York. 1 Comment

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When Spring arrives – finally – I mark the event by collecting and cataloging a random assortment of my own personal harbingers.  I scour the parks for crocus and daffodils, I take my coats to the cleaners and venture out wearing a sweater or a fleece, I listen for birds to wake me up in the morning, and I look for wild chives.  For me, it’s the wild chives that spell Spring.

I grew up in a lovely little town.  When I was in the eighth grade, my family built a very nice house in a new sub-division called Seven Pines because the street that lined the open space that was about to be filled with homes had seven tall pine trees.  The field had been farmed during WWII.  They grew onions there that would have been shipped overseas to help feed the American troops.  This was before my time and to me, this area was just the vacant field at the end of the street where our first house stood.

I remember my mother talking with the designers about widening a doorway or the height of the counters.  She loved really vibrant colors and the house would be painted gold, rose pink, lavender, celery, mint, and yellow.  After we had moved into the house, my dad planted chives.  They grew right out the back door, next to the stoop and even though he always had a full garden with beautiful tomatoes, the chives grew all alone, close to the house.

On Saturday mornings in the spring, my dad would take my mother’s kitchen shears out back and snip off the chives into long strands, releasing the onion scent into the kitchen.  He chopped the chives into tiny bits and beat them into eggs, scrambling them together in the pan.  In these few instances my mother relinquished her regular role as breakfast chef to my dad and he would set aside his regular fried eggs and bacon for this masterful concoction of scrambled eggs and chives.

I know now why he planted them there.  Chives masquerade as grass, so if you plant them anywhere else, once grass has been mown, the chives will disappear and become barely distinguishable from the rest of the lawn.  That’s why I think of them in the Spring – it’s because nobody has had the chance to mow the grass yet.  It’s barely warm enough for sweaters and the last thing you think about is mowing the grass so the chives grow tall and fragrant and to enjoy the wonderful scent, you just snap off a blade to release the fresh onion fragrance.

My mother had her own plants growing just out the back door – Lily of the Valley – growing right next to the chives.  Tiny white bells on Crayola green stalks, sending out their own wonderful scent every Spring and my mother would collect a small handful of them and put them in a colorful glass vase.  Lily of the Valley is not a common scent to me now, but when I was growing up, I could catch that scent every time I went outdoors.  The chives were not really fragrant unless I picked them, but the lilies released their scent unaided.

It strikes me now how these plants characterized my parents and it’s probably why I find myself looking for them now that it’s getting warmer out.  My dad is practical, a builder, the guy you’d want to call if anything went wrong because he would know how to fix things, what to do next.  And my mother was always more of an indoors girl who loved books and music.  They were the perfect balance of indoors and outdoors, practice and theory, the world around us and the eternal.  And now, it’s the smell of chives growing in parks and fields in New York City that reminds me of home, breakfast, and spring.

All photos by me!

Subway History in the Subway Stairs

Posted by Anne Born on February 26, 2014
Posted in: MTA Journal, New York. Tagged: MTA, Rockefeller_Center. Leave a comment

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Most subway stations in New York have a similar palette.  White tiles, grey cement floors, the yellow edge of the platform, and all those shiny silver trains.  Many stations have mosaics dating from the first few years of the 20th century and some have nice new ones – dating from the 1990s, like the 81st Street Station on the B and C lines or the 66th Street Lincoln Center station on the 1 line.  But this station, the Rockefeller Center station where the B, D, F, and M lines stop, has something wonderful that not only adds to the color palette but gives a glimpse of the station’s past where you might least expect it.

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This staircase, unlike so many staircases in the New York subway system, is made of wood.  It has been painted over and over again in what I think is about four different colors, the last of which is a high gloss black.  But underneath, as the paint wears away, there is a rust color, a vibrant yellow, and a flat uninteresting tan.  And each color is visible as the color on top of it wears off.

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This metal stair rail runs alongside the wooden one and this time of year, it will chill you to use it.  I’d like to say the wood one warms to the touch but it doesn’t and in both cases, you will find your hands colder at the bottom of the stairs here than they were at the top, assuming you use the stair rails like I do.

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Someone took the time to carve a few letters here, a name there, and at the bottom of this staircase, where the paint is completely gone and only the varnished wood remains, you’ll see the name “Ken.”

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But I love the palette; that multicolored, Jackson Pollock, paint splash of colors from what is probably 80 years’ worth of paint.  It covers the wear inflicted on that railing every day by tens of thousands of cold hands in the winter, sweaty hands in the summer.  We have worn our way down to the rust-colored paint here, down to the yellow paint there, to the tan over there, and finally, to the original varnish.  The last person who varnished that staircase could have been the artist who installed it when the station opened, coinciding with the construction of Rockefeller Center in 1930.

There’s a metal railing that runs next to it – probably just to meet some City code.  It would surprise me if this wooden stair rail were removed any time soon though, because it is just as solid as the new metal railing.  It could use a fresh coat of paint – which I normally would applaud.  But not here.  When the painters come in to cover this railing again, probably with a coat of that high gloss black, I will miss the colors and the small view into Rock Center’s past.

Boots

Posted by Anne Born on February 9, 2014
Posted in: New York. Tagged: boots, dad, new_york, snow. Leave a comment

Winter this year has brought a lot of snow into our lives.  New Yorkers got used to not having it for so long, it’s almost like a surprise when the forecast calls for some inches of snowfall.  Today we were supposed to be visited by what meteorologists call a Classic Nor’easter.  It was supposed to drop 30 inches of snow on the city tonight and the prospect of all that snow started to sound pretty dire.  Then, mid-week, the weather people all backed off the original forecast and re-calibrated the inches to a mere tenth of the original estimate.  As I write, it hasn’t started snowing yet, but odds are we’ll only see  a dusting.  What that means is simply this: no boots.

Sidewalks and most streets in New York are cleared of snow in a way that I do not remember streets getting clean when I was growing up in Michigan.  I remember walking through streets that had been plowed where the snow was measured more accurately in feet than in inches.  And I wore boots all the time.  My mother would cut off sheets of wax paper for me to wrap up my stockinged feet so they would slide in my boots.  It would get all wet when the snow came over the tops of my boots, but everyone had wax paper so it just became part of the deal.

Except for my dad.  My dad had a regular boot protocol too but it was more efficient and less necessary at the same time.  More efficient, because the way he would tuck his pants’ cuffs into his boots made it virtually impossible for snow to get into his socks and less necessary, because he drove a car everywhere and rarely walked any great distance in the snow.  He would shovel out the driveway every time it snowed of course, but his feet followed the shovel he pushed ahead of him and he walked on the clear ground left by the path.

But every time I pull on my snow boots now, I think about my dad and his boots.  They were dark, thick rubber boots, about 10 inches tall with a center front gusset and two big tin buckles.  He would sit in the kitchen with the boots next to him on the floor.  Then he would carefully fold his pants’ cuffs around his ankles so they lay flat on his socks.  Like hospital corners on bedsheets, his neatly folded pants fit perfectly into his boots.  The gusset would close and lay flat too so the buckles would make everything close up tight and everything was neat.

Watching my dad perform this simple procedure made me feel safe.  Regardless of how imperfect my own boot application was on any given day, I thought if my dad could do this with such precision, it must mean that he did other things with equal thought and experience and knowledge.  He knew how to make sure no snow got in his boots and I was always coming home with wet socks.  He had neat buckles and creased pants and I had wax paper.  I had something to aspire to, something to assign to being a grownup.  Kids got wet socks, grownups had that all solved.

My dad stays indoors most of the time now and I’m not sure he still has the boots I remember.  When I bought the ones I wear in the New York slush now, I tried to find something practical like the ones he used to wear.  I got short Wellies that do the job and I make sure I take the time to fold my pants’ cuffs across my ankles the way he did.  I take the extra step of pulling my stretchy socks over the bottoms to make sure everything is snug because, after all, that’s what grownups do.

Last week, I was wearing the boots on my way in from the train station when I came up to a stretch of blocked sidewalk that forced me to walk out into the street, around the car that was pulled over the path.  I took one step out to the street and stepped into deep water that had puddled against the curb and the slush went up nearly to the stop of my boots, roughly eight inches.  But my feet were still dry!  I started laughing out loud at how clever I was to have worn my boots and to have dry socks.

But it was all my dad.  And, I have to be honest, I started to feel like a grownup.

Doughnut Mayhem in Queens

Posted by Anne Born on February 4, 2014
Posted in: MTA Journal. Leave a comment

One of the things that I tend to notice when I am walking around the city is the random pieces of food that are left alone on the street after the person carrying or eating them has left.  I read years ago about a guy who thought it was completely bizarre that you could see a whole cucumber waiting at an intersection or a tomato sitting near the curb, but you do.  It’s not as infrequent an occurrence as you might think.

Today, it was doughnuts.  Not your usual glazed or jelly filled doughnut but the giant buns that my son used to call “Sleepy Buns.”  He misunderstood the word cinnamon and thought, since he was usually sleepy when he was given one, that sleepy was what we all were calling them.  They tend to be large, they are glazed, and they weigh in at about twice and a half the weight of any normal round doughnut with a hole.  They are dense and they present a serious alternative to a healthy diet.  Oh yes, and they are usually wonderful.

I was walking to the train just now and saw one of these buns lying in the middle of the street.  Normally, I would remember that cucumber guy, scoff at the loss of a perfectly good bun, and keep walking, but as I kept walking, I saw another one, only this time, it was merely a shard of a sleepy bun.  Walk a few steps more and there is another shard, and another.  Together, they made up the better part of two buns.

So, what happened?

Somebody was starting to get self-conscious carrying an 800 calorie snack and decided to leave it for someone else?  OK, that could happen, but how did the shards come to be there?

Somebody picked a fight and heaved the 800 calorie wonder at his or her assailant who reciprocated with the shards?

Or maybe somebody who started the altercation did so because the sleepy bun owner didn’t want to share?  He or she, although I feel certain this was a guy event, had broken the first bun into pieces and the bun recipient tossed them at the owner of the second bun because getting a shard was a slight?

What will be interesting to see tomorrow, as I walk the same route back, will be to see if either the bun or the supplemental shards are still there.  My bet is some happy rat will have carried it all off to his or her, and in this case I am leaning toward her, family waiting for dinner behind a wall someplace.

Sad bun owner, belligerent shard tosser, yet happy rat.  At the end of the day, it’s just another story in the Naked City and I’ve got 8 million of them.

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Silver Birch Press

Poetry & Prose...from Prompts

If You Stand Here

A Pilgrim's Tour of the Cathedral of Santiago de Compostela

Tradición Jacobea

Un espacio WordPress.com para el peregrino jacobeo

Georgiana Goddard King, pionera del Camino de Santiago

Proyecto de investigación

Ultreya Tours Blog

Welcome to the Camino de Santiago Operator's blog

Discover WordPress

A daily selection of the best content published on WordPress, collected for you by humans who love to read.

The Backpack Press

Writing about New York and everywhere else

Oh What A Journey

The Semi-Adventurous Travellers

Letters from the Camino de Santiago

A letter you always wanted to write

Jerry T. Johnson, Poet

Poetry and Prose of Jerry T. Johnson, Poet (photo by Matthew Hupert)

Amy Abbott Writes

The Late Orphan Project

Writing about us, after the death of our parents

Nina's Adventures

The Broad Side

Padraig Colman

Rambling ruminations of an Irishman in Sri Lanka

Solo Camino

My solo Camino adventure

Newtown Literary

a journal of fiction, creative non-fiction, and poetry

Geosi Reads

A World of Literary Pieces

lifeisacelebration

This site chronicles my travels, musings &ramblings as I get busy celebrating life!

This Amazing Planet

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