June 12, 2022 – Niles, MI


June 12, 2022 – Niles, MI
The easy part of my story about my dad is that I miss him. I miss having breakfast with him where the waitresses always knew the kind of mug he liked for his coffee. I miss taking him with me to visit family cemeteries and the historical society in the county in Indiana where his dad grew up. He showed me the storefront that used to house my great grandfather’s blacksmith shop. And I could tell him all the stories I learned from doing family history research. None of that has any real substance though, as easy as the stories are to tell.
When my father died, I found myself suddenly placed in the position of being the one making the “arrangements.” I wanted to lie down and feel sorry for myself but instead, I met with the funeral home, the priest, my family, our neighbors, even my sister’s former classmates and friends who drove up to attend the wake and to see her. I think about those few days now and all I see is me talking. Nothing but talking.
Oh, and crying. I was worried I might become known as “that woman who comes to church, sits down, and cries to herself.” There was even one sweet member of the church choir who came over after the service and gave me a hug because she thought I looked like I could use a hug. Boy, did she get that right. Churches have been my sanctuary for a long while, but in this instance, during the days just before and just after my father’s death, I would walk in, sit down, and just cry.
Ironically, I really did want to get the funeral and burial just right and I can see now that I missed that mark by a long shot – but I know why now. At the time, I thought I was just acting without thinking.
The service was lovely, but I held up the drive from the church to the cemetery because I was talking to the organist and the singer about the years I had spent singing in the choir – as if a hearse, cars, family, and neighbors weren’t all waiting to leave.
That pales compared to my behavior at the cemetery. I had arranged for a burial with full military honors. My father was a sergeant in the Army Air Force in WWII and was stationed on Iwo Jima. It was appropriate. When we turned the corner off the highway into the graveyard, I could see the honor guard waiting for us. The local American Legion post sent two uniformed soldiers, and a chaplain who was accompanied by a bugler and a row of Armed Services veterans who stood at attention while the prayers were said and the flag that had draped my father’s coffin was folded.
I have no experience with military funerals. I sat, listened to Taps, heard the 21-gun salute, and watched while the two young men prepared the flag as if every crease, every fold had immortal significance. Then, one of the men came over to me, knelt on one knee and looked me in the eyes, saying that the flag was presented to me on behalf of the President of the United States. I held it close, passed it to each of my four children so they could hold it for a moment as well.
And then I gave it back to him, saying, “You know, I’m moving and I really don’t have the space for it, you know.”
My cousins were aghast; my neighbor came over to me. They must have thought I had lost my mind. No, I told them, I’m downsizing and I’d just hate for it to end up in a closet, you know.
My dear sweet Lord, what was I thinking?
Later that day, my son said he’d like to have his “But what was I thinking? How did I get it all so very wrong in that moment? See, my dad would have already told me what to do with his flag – but he was gone.
In retrospect, where all my great realizations suddenly come into focus, I know that while I was grieving the loss of my dad, I was also grieving the loss of my own childhood. I’m old enough for Social Security now, but my childhood was suddenly wrenched from me when my father died. My being a child – even up to now – relied on his being there for me.
If I did something fun or wonderful, I wanted to tell him – the same way it was when I was small and living at home. If I did well in school, which wasn’t all that often, I wanted my dad to know. We would share favorite TV shows, talk about cars and radios, eat bowls of cottage cheese and small bits of liver sausage on Wheat Thins with some cheddar, all washed down with ice cold root beer – and I could tell him all about everything. We would sit on the front stoop at night and listen to what my mother called the “night noises,” most times not even saying a word.
That gap is what grief is all about. It’s why people call it a “loss.” You lose so much and it happens so suddenly even if the actual passing is expected or anticipated. But in time, I think you can gain so much, too. When my dad could be on the other end of a phone call, I could rely on the one person who had always been there for me. There was a knight in a corner of my chessboard, waiting to move if I needed him to protect me. It’s just my turn now to be that knight.
I am fortunate that I did have my dad in my life for as long as I did. I am fortunate as well that our relationship was one of shared time and interests – and such love.
You hear people say, when their parents die early in their lives, that mom or dad would be proud of the adult they’ve become. I’ve only been an adult for a short while, but I think when I really get the hang of it, I’ll be good at it too.
Like my dad.
Excerpt from “These Winter Months,” edited by Anne Born
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I needed to cook bacon for dinner last night. Not because its best-before date was up. Not because I didn’t have anything else. But when I knew I wanted eggs, I knew I needed bacon. Bacon and me, we go way back. It’s possibly the first thing I learned to recognize by smell. That, and Folger’s coffee.
Every weekday of my life as a child, my mother made bacon and an egg, white toast and coffee – for my dad. We had cereal sometimes, toast most days, but my dad, he loved bacon and an egg. And I am sure it was because of the way my mother made them.
Strips of bacon laid flat barely touching in a copper bottom, Revere Were pan. Cooked low and even, turned a few times, bacon comes out, egg goes in, smack in the middle of the grease left behind by the bacon. Spatula flicking hot grease over the top of the egg to cook it while the bottom of the egg cooked on the inside of the pan. Then slide out onto the plate like a short order cook – the one thing my mother always swore she was not. “What do you think, I’m a short order cook? Eat what’s in front of you.” And most days we did.
After I was labeled “gifted” in Grade Five, I skipped, and was unceremoniously assigned to Grade Seven without the inconvenience of showing up for a Grade Six. Over the summer after Grade Five, I was assigned to the care, and ultimately feeding, of the nun who taught grade six during the school year, a powerhouse named Mother Josetta. When we both tired of my Math and English lessons, she taught me how to do things – like fry an egg. I remember watching her flick grease just like my mother did. I could see a wonderful, unspoken camaraderie come alive: with eggs, with nuns, with my mother, with women in the universe throughout history, if we could all execute the same flick, if we all knew how to fry eggs. I did not get a sense of a greater purpose in this exercise, but rather I could visualize an invisible silken thread drawing us all together.
I believe that was the first and last time I used bacon grease to fry an egg. That’s the way it is sometimes with life’s profound moments. They stand on their own. They influence thought, but not action. And it wasn’t that my mother hadn’t taught me many cooking skills, but this nun with her methodical bacon and egg protocol is what I remember. She must have felt sorry for me. A tall misfit chubby girl with glasses not finding her way in a sea of normal little girls and boys in this small Midwest Catholic school. I don’t think I ever confided in her later that the kids in my new Grade Seven were suspicious of me and kept their distance, and the kids in my old Grade Five instantly forgot my name as they attended that inconvenient Grade Six, barely recognizing my absence. There had been talk about sending me away to a school in Indiana known for the way it worked with gifted kids, but the cost of tuition was a deal breaker. It’s impossible to know now if that move really did stop at tuition or if my family decided it was just easier to keep me where I was. I’ll never know.
Still, the smell of bacon cooking or the sound of an egg breaking into a hot pan, the smell of fresh Folger’s – these all take me back to a clean dinette set with four place settings of 1950s, burnt orange Melmac plates in Michigan. Four chairs, four people eating breakfast together and my mother always wondering existentially; if the coffee was good to the last drop, what was wrong with the last drop?
Now, in my all-grown-up studio in the Bronx, I am able to fill the space with the foods of my childhood and a memory of the people and places that still carry meaning. It might be time to try frying an egg in bacon grease again – just to see if I could get it right and not burn myself. I’d like to please Mother Josetta now – and my own mother too, even though I’m way past needing to do that and they are both gone. I think it would be fitting to let them both know their lessons are as fresh to me now as the day they first presented them to me. And as useful.
Like all the women in history, I can fry an egg.
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My notebook no longer contains…
My notebook comes along with me when I leave my house,
you never know when elusive inspiration will be found lurking
around the corner, down the block, over your shoulder.
When it will be better to write than to grieve or to laugh.
But now, my notebook doesn’t carry any of the thoughts I want to write
It holds the receipts, the holy cards, the phone numbers, bills for the car or the hotel.
The tiny note cards from the flowers.
Not one word can I write,
not one thought with any level of clarity
presents itself.
I know there is usual healing in words,
salve in poetry for the open wound
Or in some short narrative, a remembrance;
but it’s just not there.
Instead of being reminded that I am a writer –
by opening to a blank page,
Instead of being reminded that I take words at face value
to spin my stories, to tell my sorrows,
joys, memories –
I see only the shards, the detritus of my loss
and words simply pull farther and farther away.
My notebook no longer contains
Stories of today or plans for tomorrow.
That all stopped on Saturday.
Still
While I know this is as temporary as a life,
It is just as maddening.
If you’d like to read the Late Orphan stories, look at My Books for These Winter Months and These Summer Months.
Greetings!
The Late Orphan Project is reopening for submissions starting November 2, 2016. Essays, journal entries, poetry, theater – all will be considered as long as the theme supports the Project.
The Project – to encourage writers to discuss the death of your parents. The easy story is to write about what happened. My mother’s long history with depression, my father’s heart ailments – easy to write because they tell a story that happened. This happened, that happened, and then they died. What the Project tries to do is not to discuss the details of the death or what led up to the death but rather what happened next?
How did this loss impact you?
When your mother or father dies, the impact is considerably stronger than other deaths in the family and the impact is frequently unpredictable.
How are you changed? What did you learn? When you picked up your life again, how was it different, or better, or worse? How did you chart your life without your parents?
What the Late Orphan Project was able to do in the first volume of stories was to show that the most personal story displays the most universal truths. The reader understands and feels empathy with the writer and the writers can sometimes find closure or healing or a deeper understanding of the events that followed the deaths.
This is not a sad project even though the stories will likely make you cry. Rather it is a celebration of real life through the telling of these very difficult stories.
Submission deadlines – November 2 to December 2, 2016.
Guidelines – All entries should be approximately 1000-1500 words.Shorter pieces will be considered but longer ones may not. One entry per person please. Stories should be accompanied by the following:
1) A 6-line author bio, written in 3rd person.
2) The name of the mother or father in the story, including birth and death dates and geographic location.
3) The word SUBMISSION in the subject line of the email.
4) All submissions to lateorphanproject@gmail.com
5) Identify please if your story has been published previously with a note that you have secured permission for The Backpack Press to republish if you story is selected.
If you have questions about submissions or the Project in general, please contact us at lateorphanproject@gmail.com.
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